BIO
Carla Forte is a film director, scriptwriter and performer. Forte is the founder and Director of Film Department of Bistoury Physical Theatre and Film. Selected as a Berlinale Talent 2017, Carla has directed internationally featured Video-Art works such as Interrupta, Official Selection at 27th Festival Les Instants Vidéo 2014. Her cinematographic work includes the Feature Film ANN, Official Selection 41th Atlanta Film Festival 2017; the documentary The Holders, which World Premiered at the 32th Miami International Film Festival 2015; Short films "Imaginarium" and "Reset" selected for Cannes film festival's Short Film Corner; as well as the feature film Urban Stories, Winner of Best Screenplay, Best Cinematography and Best Feature Film at Bootleg Film Festival in Toronto; and Honorable Mention at both Los Angeles Movie Awards and Lucerne International Film Festival, Switzerland.
ARTIST STATEMENT
My primary intent as an artist is to communicate my social and personal concerns, transforming them into a magical realm where anything becomes possible. Beyond an unorthodox narrative and aesthetic, my work focuses on experimenting new visual sensations through conflict: reflecting a world of emotions that can be both very near reality and on the side of the nonexistent, creating a parallel universe in which the palpable and the desired become possible at the same time.
My work deals with “in-communication” (or lack of communication), about that invisible thread that binds us to a common life despite and beyond our differences. Echoes that harbor secrets that can only be heard in silence.
My stories are definitely a reflection of who I am and every element I employ has been influenced by some experience. I am a constant flux of influences because every day, when I go out to the street, I find myself surrounded by strange people that always leave something within me: sounds, situations, a wholeness that helps me carry on with my day to day. I believe many of my influences derive from seeing my father cry, chasing after the dog who runs astray in the streets, the homeless person asking for money at the corner with the traffic light, the neighbor's folkloric music, my aunt's uproarious laughter, my mother singing, the lack of communication between people. All of these moments become one more scene in one of my stories.
Throughout my career, I have discovered the need to incorporate into my images and scripts messages that promote social consciousness. As a humanist, I am passionate about the idea of being part of the change; it is for that reason that within my artistic production, I find it valid and valuable to present social issues, along with fictional stories, that the spectator can identify with as a human being, but that also present a new realm of sensations that we can be a part of.
My work deals with “in-communication” (or lack of communication), about that invisible thread that binds us to a common life despite and beyond our differences. Echoes that harbor secrets that can only be heard in silence.
My stories are definitely a reflection of who I am and every element I employ has been influenced by some experience. I am a constant flux of influences because every day, when I go out to the street, I find myself surrounded by strange people that always leave something within me: sounds, situations, a wholeness that helps me carry on with my day to day. I believe many of my influences derive from seeing my father cry, chasing after the dog who runs astray in the streets, the homeless person asking for money at the corner with the traffic light, the neighbor's folkloric music, my aunt's uproarious laughter, my mother singing, the lack of communication between people. All of these moments become one more scene in one of my stories.
Throughout my career, I have discovered the need to incorporate into my images and scripts messages that promote social consciousness. As a humanist, I am passionate about the idea of being part of the change; it is for that reason that within my artistic production, I find it valid and valuable to present social issues, along with fictional stories, that the spectator can identify with as a human being, but that also present a new realm of sensations that we can be a part of.
© 2018 Carla Forte